Acoustics

Acoustics

 

Acoustics is the science of sound. It is a science which is exercised in many art forms, such as music and theatre, and at its roots, there is found a long standing tradition of cultural influence oriented around sound.

With this understanding, one may find the first interpretations of this science wandering to technology that is tangible but inorganic in its construction. However, reverting to a much more base interpretation of this science is where a deeply ingrained fundamental capacity resides, given the infinitesimal dynamics of people, animals, and all other things which live in the world who create, produce, and house unique voices and sounds.

This understanding is drawn from what could be termed as a naturalist perspective, and in its comprehension, an abundant array of acoustic diversity arises as an intrinsic element to what originates from the most base of life’s culminated wonders.

The philosophy surrounding this take on an ancient art and science is one that finds footing in the ways that people communicate with one another. The capacity to express ideas in a widely uniform and comprehensive language, be it verbal or otherwise, is something that finds origin at the dawn of humanity’s first signs of communal intelligence, and it has propagated well on into the modern day.

This idea is one of fundamental integrity, given the advent of language being a precedent that has yet to be surpassed by other modes of expression. In knowing this, it is good to understand that language is not always verbal, and in this unique abstraction, there resides a tapestry of interpretations. Music is a language. Dance is a language. Engineering, in many ways, is a language, and as the whole of what could ever come to pass as a system of interpretable signals, be them abstract or clear cut, finds ground in the throes of the above supposition, an inevitable conclusion of deeply ingrained humanism sets to form as a result of the inherent complexities found in the science of sound.